Conquering Kiln Firing
Saturday 30 June 2018, 10–3.30pm, £145 (max 6 students)
Are you at the stage where a better understanding of how to build and alter programmes would improve your work? Subtle effects can be achieved within only 5 degrees so it is imperative you understand your kiln type, controller and other factors affecting your firings. Standard firing schedules provided by the kiln manufacturer or glass supplier may not suit your needs as you advance. This workshop aims to take you step-by-step through each phase of the fusing or slumping process, define what is happening and help you build a programme to achieve the results you’ll need, based on your kiln and glass type (Bullseye, Spectrum, float). These principals will apply to any controller type thus enabling you to use a variety of kilns. Other subjects such as kiln preparation (paper, kiln shelves, positioning) maintenance and a range of program types for fusing and slumping will be covered.
The session will also include a fuser’s ‘surgery’ where students bring two items to problem solve in a group discussion where we’ll learn from mistakes and happy accidents. Many examples of Lisa’s tests will be available (and explained) along with handouts and a visual presentation will be delivered so you leave feeling more confident designing your own programs. Pre-course homework involving three firings will be set in order to help establish a standard for your kiln. This is an intermediate course aimed at fusers and slumpers so it is best if you own or have access to a kiln on a regular basis. Bring a packed lunch and hopefully we’ll eat outside with a view of the Surrey Hills!
Sat & Sun 14-15 July 2018, 10–4.30pm, £275 (max 6 students)
This is a course for experienced students where we will explore a variety of ways to control natural movement in the kiln. Students will be prompted to investigate their sculptural ideas and why movement is important in their work. We’ll achieve this through a series of demos, visual presentations (explaining my own processes and other artists work) and two making projects.
Working with both float and Bullseye glass, three kiln forming techniques will be explained: ceramic slip cast moulds (like store bought slumpers but your own design!); hardened fibre blanket moulds; carved refractory moulds among others. Extensive course notes with firing programs are provided along with mould making materials. You’ll need to bring a 30 x 40cm 4mm sheet of float glass to the first class and similar sized piece of Bullseye to fuse for the second slump project. These techniques are suitable for both fused and kiln cast work. In a pre-course brief, students will be asked to produce small models before the first session. Details about local accommodation are available on request. For more info please email firstname.lastname@example.org.
Courses are held in the informal surroundings of my workshop on a farm in the beautiful Surrey Hills. This creative setting encourages students to get the most out of their attraction to glass and working in small groups means you have plenty of one-to-one assistance. Excellent quality glass materials are provided and are tailored to your individual projects.
I enjoy teaching people of all ages and abilities and have been a glass instructor since 2004. I have a BA (Hons) in 3D Design in Glass from UCA Farnham (2005) and in 2010 I obtained a PTLLS certificate to tutor adult education students.
Please email me if you are interested in a session or have questions. I am happy to plan private sessions for special occasions (birthdays, social or business groups etc). I also work in schools and can plan appropriate sessions for children.